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Maud Scheltinga

by Maud Scheltinga

supported by
Federico Orlandi
Federico Orlandi thumbnail
Federico Orlandi Hats off to this talented girl !
Hope to hear soon more songs from her. Favorite track: Clown.
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    DWL022

    edition of /40

    Each order comes with:

    • A different antique book, filled with lyrics, sheet music, and a CD in the back (hand-made)
    • Thank-you letter
    • A random assortment of sheet music, letters, photographs, books, and more.

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1.
You, I’ve come to know you well how you stand at the bottom of my stairs, watch my every step, I love you, now, I love you - and then? Sometimes, I send you off to hell every bit unfair, and I’m aware, “But baby, I want you so bad,” we’d cry in airport chairs. Another flight, another flight, another time - change of city, change of minds, I’ll love you another night, just look at you, what a sight. You, I’ve come to know you well every bit here and there, every little care, and I love you, but every now and then there’s times, I don’t want to be your girl, it’s then I want another man, “But baby, I want you so bad,” we’d cry in airport chairs. Another flight, another flight - another time, change of city, change of minds I’ll love you another night, just look at you, what a sight.
2.
Clown 04:12
The night saw the candles the evening, dry She holds her dreams so tight but we are not asleep. The mouse, called by the cat got out of its bed and on a tiny square, in a small town they heard each other out. This is how you wear your crown They'll all fall down once they've found out, what you can do with your charms, "Oh my darling, 'course I know, you're right oh, and have a good night,” yeah, have a good night. The night saw the candles the evening, dry Oh, and all she dreams of, beneath us I hope I'll never feel. This is how we all fell down - our beloved clown - once we'd found out, there's not much you see harm in, “Oh my darling, you too, shine so bright,” Oh, the silver lining on this doomed night. Oh, and I stand by Wishing you drew the line here but I'm just a friend and even to me, you lie.
3.
Master 01:53
Master of all promises of sticks and stones, of skin and bones Master of all, all I know will you show me how, how to grow? Master of all, all there is of kings and queens, beggars and thieves Master, can you set me free from all my frowns, all my faults? I wrote a letter, to the man of all I know, the strongest hand I wrote a letter, in which I ask on the edge I dance, will you tell me where I’ll land? Master of all, worst and best of win and loss, more and less Master, if I trip and fall should I be scared, you’ll think of me less? I wrote a letter, to the man of all I know, the strongest hand I wrote a letter, in which I ask on the edge I dance, tell me where I’ll land?
4.
Tomorrow 02:47
Baby-- I hear you laugh once more, I might forget. You’ve got to go, got a plane to board, headed home. But baby-- promise me, you'll love me as though you didn't go, I'll still be here tomorrow. Baby-- I hear you laugh once more, I might forget. You’ve got to go, got a plane to board, be with me no more. But baby, promise me you'll love me as though you didn't go, and be with me tomorrow.
5.
Three Times 02:39
Wait, wait for me there on the bottom of your glass. Wait, wait for me there almost guilty we are. And I, hold your baby face under the stars, in a sweet embrace we go too far. We're losing grace, three times will be enough. Wait, wait for me there on the bottom of your glass. Wait, wait for me there almost guilty, we are. And you never think of me - thank god, you don't. All this could maybe be less obscene, less unheard of - if I took you seriously. We hurt them, we hurt them, we hurt them we hurt them and we know, but we continue like we don't.
6.
Take 03:21
Take, from my eyes this blindness, that made me too kind, I want to live a life without you in sight. Take, from my mind my you, and all your lies, it’s the only place you still reside. It’s been a while now, I think that I just might.. And it seems only right to take, from your life, your me, your shot at meaning. Let’s get you hurt-- let’s get you hurt. ‘Cause you make me feel like it will always be tonight. What if this never goes by, if you never get what you deserve? Then still I’ll live on, with you on Earth, I just need to learn, that to want you, would be absurd that no one was home here and that’s the best news, I’ve ever heard.

about

DWL022

credits

released June 17, 2017

Written, recorded, and performed by Maud Scheltinga

Ian Carle: drums (Track 3)
Isaac Polinsky: bass (Track 3)
Stavros Martinakos: piano (Track 4)

Produced and mastered by Jake Bellissimo

Packaging and art by Jake Bellissimo and Maud Scheltinga

Sheet music** by Sterling Cozza and Jake Bellissimo


**The sheet music included is an interpretation and not meant to precisely reflect the original recordings. As a result, they are also meant to be interpreted—you are invited to adapt the music to your voice and instrumentation however you please.

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about

Maud Scheltinga Berlin, Germany

Over the past couple of years, Maud has interpreted and re-interpreted the world around her by means of her songs, which act as short stories. Listening to her music feels like listening to a bookshop owner taking different (but equally beloved) books off the shelf and dazzling you with short and direct anecdotes that offer you a peek inside.

♥ Drunk With Love Records ♥
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